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Welcome to issue nineteen of The Attention Span Newsletter by me, Canan “Ja’anan” Marasligil.͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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#19 / AND A LOT OF TENDERNESS
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Welcome to issue nineteen of The Attention Span Newsletter by me, Canan “Ja’anan” Marasligil. I’m a writer, a literary translator and an artist based in Amsterdam. Every other week, I take the time to reflect and offer a glimpse of how I see and feel the world through the lens of culture, art, translation, poetry and literature.
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translating home (2020-2021)
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This week I have shared the following thoughts on social media:
my first post of the year 2024 🧡 wearing my grandfather’s tie and my grandmother’s leather boots. two souls gone, my roots arrachées de la terre (found myself crying earlier because i missed living more in the French language. then i listened to a song in Turkish and cried some more). i stopped looking for a home. i want beauty, care, justice, dreams and a lot tenderness. And so, instead of my usual longer reflections or an essay, this issue of the newsletter is filled with tenderness, including pages from earlier sketchbooks and notebooks, as well as poetry.
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“beyond crises, tenderness” notebook (2020)
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TRANSLATION AS A GESTURE OF LOVE (OR REMEMBRANCE)
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“Listening to music is the gesture that defeats the skin by transforming it from a boundary into a connection.” —Vilém Flusser, in Gestures (translated from German by Nancy Ann Roth).
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i want to translate all the love songs of my geographies to you sezen aksu and jacques brel the newer ones too i want to translate the yearning to go back places, spaces, faces a feeling you are alien to your life spent in this one city from birth on i was defined by movement i want to translate the recipes my grandmother brings to life so that you can taste what it is like to be loved beyond borders something we know too well we, who grew up with the nostalgia of a country we never lived in (isn’t it how we never get lost in translation) i want to translate my imagination so it can merge into yours so we can turn our present into a past that will not fade into a blur on a forgotten photograph
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a definition of love (work table, 2020)
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LISTENING, WATCHING, READING
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Read I have been reading Teju Cole for years, all his non-fiction. But I had never taken the time to dive into his fiction. This January, I treated myself to all three of his novels (one of them is said to be a novella but I don’t care for such definitions). Everyday is for the Thief (2007), Open City (2011) and Tremor (2023). It was an intense and beautiful experience to read all those books one after the other. Cole brings so many emotions out of me and most importantly, he creates that urgent space where beauty meets reflection, where imagination is always part of how we must look at the world. Cole does it so beautifully well through music, art, photography (including his own).
Watch I have finally seen The Red Shoes, a 1948 film written, directed, and produced by Michael Powell and Emeric Pressburger. It’s been on my list forever, but I wanted to see it in a cinema and not on a small screen. So when I saw it was playing in my local beloved cinema Kriterion, I didn’t miss the chance. The story is based on Hans Christian Andersen’s story of red ballet shoes that refuse to stop dancing. It follows aspiring ballerina Victoria Page (played by a mesmerizing Moira Shearer), who joins the world-renowned Ballet Lermontov, owned and operated by Boris Lermontov (played by Anton Walbrook), who will test her dedication to the ballet by making her choose between her career and love. Heartbreaking, very dramatic, a visual treat (especially for its time). It is also one of Martin Scorsese’s favourite films.
Listen Ava Duvernay has directed a new film, titled Origin, based on Isabel Wilkerson’s book Caste: The Origins of Our Discontents, and both the film and the book are on my watch/read list. While waiting for the film to arrive to the Netherlands, I am listening to interviews with Duvernay, like this one on Radio Hour, where she tells about the process of filming, from funding to making, the urgency of the theme and why it needed to come out now and not later. A truly inspiring artist and visionary.
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“luck is an encore” sketchbook (2019-2020)
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Wed, Jun 07
Read and listen to issue three of the Attention Span Newsletter, published on 7 June 2023.
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🎙️ an audio version of the attention span newsletter is available on your favourite podcast app: Spotify, Apple Podcasts, Overcast…or to listen on the attention span website.
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ABOUT Canan “Ja’anan” Marasligil (she/they) is a writer, literary translator and artist based in Amsterdam. She established The Attention Span website and its newsletter to publish their work independently: making the time to reflect, analyse and imagine.
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You can support my work via patreon 🧡
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Thank you so much for reading! Feel free to share this newsletter with your friends, on your social media and more. Here’s the link to subscribe: https://theattentionspan.com/subscribe
When quoting or sharing content, make sure to attribute it to the author. Unless otherwise stated, all content (writing, photography, design) created and published in this newsletter is authored by me, Canan “Ja’anan” Marasligil.
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